Sunday, June 26, 2016

Sounds of the Day #85/2016:Der Zyklus (1,2,3) / Suokas (1,2,3) / Francisco Meirino (2) / Sumbru (2)


Der Zyklus - Renormalon (2016)


Der Zyklus - H2 Region (2016)


Der Zyklus - Elektronisches Zeitecho (2014)


Der Zyklus - Axonometric (2015)

Suokas - Reka Vremeni EP (2015)

Suokas - Billy Meier EP (2015)

Suokas - Being (2014)



Francisco Meirino - Surrender, Render, End (2016)



Sumbru - Turn in My Grave (2016)
(= Julien Skrobek)

Saturday, June 25, 2016

Video of the Day #91/2016: Helene Cixous Judith Butler Avital Ronell Emily Apter / Bernard Stiegler (19) /Marcel Duchamp /


Disruptive Kinship
Helene Cixous, Judith Butler, Avital Ronell 2012
(moderated by Emily Apter)

Bernard Stiegler - sur l'emploi
à l'Espace Marx de Lille invité par Fabien Roussel secrétaire 
de la fédération du Nord du PCF
9.Juin 2016


Marcel Duchamp talks BBC 1968

Friday, June 24, 2016

Video of the Day #90/2016: Ellsworth Kelly (6) / Sounds of the Day #56/2016: Aymeric de Tapol (1,2,3,4,5) / Joachim Montessuis (1)

Conversation with Ellsworth Kelly


Aymeric de Tapol - Les Horizons (2015)


Aymeric De Tapol & Joachim Montessuis - Aep13 (2015)



Aymeric de Tapol - Winter Dance (2013)


Aymeric de Tapol - Méridiens (2013)


Aymeric de Tapol - Talking With a Dinosaur (2014)


Aymeric de Tapol - El Wad (2012)


Aymeric De Tapol - plays lost foxes by Martiensgohome (2011)

De Tapol is already one of my discoveries this year ! Outstanding
crypto-minimal-electro-acoustics !
An awesome and ultra-intelligent rebooting of this worn "genre" !

HIS
BLOG
IS HERE




Thursday, June 23, 2016

Artworks Sounds of the Day #6/2016: Frank Stella (3) / S/QU/NC/R (1,2) / Julien Bayle (1,2,3)

Frank Stella - Grodno III(1973)



S/QU/NC/R - OUA_BF (2016)


S/QU/NC/R - MRS Trilogy (2016)


Julien Bayle - Inner (2016)


Julien Bayle - Alpha live (2015)


Julien Bayle - Uncommon Circles (2015)


Wednesday, June 22, 2016

Artworks of the Day #5/2016: Frank Stella (2) / Xavier Dubois (1,2) / volhnn (1,2,3)

Frank Stella - Ostropol III (1973)

Xavier Dubois - Ostium (2008)

Xavier Dubois & Noire (2008)

Plus more
crypto-minimalism
fka HNW

volhnnExtinction process I: I + II (2016)

volhnn - Extinction process II: III + IV(2016)

volhnn - Extinction process III: V + VI(2016)


Tuesday, June 21, 2016

Artworks of the Day #4/2016: Frank Stella (1) / Grégory Duby (1,2) / Jesus is my son (1,2,3)

Frank Stella - Telluride 1960/61



Grégory Duby - I died in 1984 (2010)


Grégory Duby Propriètaire (2008)


Jesus Is My Son - Sacrifices Odieux revisited (2015)



Jesus Is My Son - 1914-1918 (2012)


Jesus Is My Son - Je Suis Dieu (2010)

Fantastic projects 
rotating around
Grégory Duby !

Monday, June 20, 2016

Sounds of the Day #73/2017: AGF (1,2,3,4)

AGF - Kon​:​3p>UTION to: e​[​VOL​]​ution (2016)

AGF the self / the other (2016)

AGF - >if​*​true​~​time​[​x​]​1​+​2​=​you​.​\​< (2016)

AGF - Beatnadel (2011)

Absolutely fantastic crypto-minimalisms
or crypto-future-retro-tronics !

Sunday, June 19, 2016

Sounds of the Day #86/2016: Love Cult (8) / John Carpenter (1) /Erik Levander (1) / Guy Reibel (1) / Aidan Baker & IDKLANG (1)

Love Cult - Educated Guess (2016)

Erik Levander - Halv (2016)


John Carpenter - Classic Themes Redux (2016)


Guy Reibel - Douze Inventions En Six Modes De Jeu (1979/2015)


Aidan Baker & IDKLANG - In The Red Room (2015)

Saturday, June 18, 2016

Artworks of the Day #2/2016: Robert Mangold (2) / Sounds of the Day: Arashi (1), Chris Corsano, Massimo Pupillo (1) / Haikai No Ku (4) / CKAMMK

 
Robert Mangold 
Four Color Frame Painting #9, 1984


Akira Sakata / Johan Berthling / Paal Nilssen-Love are
Arashi - Semikujira (2016)

Chris Corsano, Massimo Pupillo - Via Combusta (2016)


Haikai No Ku - Temporary Infinity (2016)


CKAMMK - Campbell Kneale, Antony Milton, Kiyoharu Kuwayama (2014)

Friday, June 17, 2016

Sounds of the Day #89/2016: Jonathan Fitoussi (5,6,7,8) / The HNW Quartet (1)/ Skullflower (12)


Jonathan Fitoussi / Julie Feyri  - Dimensions (2015)
(Model Alpha)



Jonathan Fitoussi - Parallelogram (2014)



Jonathan Fitoussi - Immersion (2014)
(posted a short time ago - but here a second time fyi)



Jonathan Fitoussi - Pluralis (2011)


Nice minimal retrofuturetronics !

Plus
new HNW !


The HNW Quartet - Self Titled (May 2016)
Awesome HNW-collabo 
feat. Küne de Lisch, Julien Skrobek (Sumbru), Joseph Szymkowiak (Black Matter Phantasm) 
and Psôm.

And Skullflower
for the Anthropo-(S)cene

Skullflower VRIL  (2016)

"RUNES ON A SPACESHIP.... 5000 YEARS FROM NOW, WE WILL BURN INCENSE ON THE MOUNTAINTOPS, FORESTS AND WOLVES AND LYNXES RETURNED. THE TIDE OF HUMAN SCUM: GONE. ATWA" 
(quote:Skullfower)

Thursday, June 16, 2016

Sounds of the Day #65/2016: Lyonel Bauchet (1,2) / Ajna - Dronny Darko - IOK1 (6,7,8,9,10)


Lyonel Bauchet - Buchla Tunes Vol.3 (2012)


Lyonel Bauchet - Ascent (2010)

Plus more of this interesting drone or Sound-Art project from New York
called Ajna 



Ajna & IOK1 - Anamnesis (2015)


 Ajna & Dronny Darko 1000 Years of Cryosleep (2014)


 Ajna & Dronny Darko - Facing the Void (2013)


Ajna - Subconscious Snowfield (2012)


Ajna - An Array of Black Clouds (2011)

Wednesday, June 15, 2016

The HNW-Q No.11:Joseph Szymkowiak (Black Matter Phantasm)

(Photo by Cristina García Rodero)

Dear Readers,

I am very proud to present the HNW-Q No.11 featuring this time Joseph Szymkowiak and his impressive introspective and versatile project called Black Matter Phantasm. This project is one of the most brilliant and passionate remappings of the Ursprungslandschaft of HNW today. His crypto-minimalisms direct the listener right back to the riverhead of HNW. Right to the point where everything or nothing started. Only one nanosecond before HNW multiplied and digressed into the countless (and partly absolutely misguided and misguiding) other riverarms we have to witness today to our sadness and sometimes to our desperation. Szymkowiak's Black Matter Phantasm reminded me instantaneously and again why I was interested in HNW in the first place five or six years ago. It was HNW's deep desire to reach out for absolute nothingness in and as sound that struck me immediately. Pointing me again at radically different possibilities for listening, the listener and the performer beyond all distractive, consumerist and late capitalist forms of "music". Opening or transpiercing the eardrums with silent or deafening loudness or loud silence so to speak. Transforming the listener and the performer simultaneously. Szymkowiak's HNW is perfectly and seriously bound to the golden rules of early HNW connecting meditational approaches and practices with serious aural experimentalisms and sonic research. This project brings all these prehistoric scenes back again.  His HNW is HNW in nuce, in a nutshell, in a capsule. His works are physical excercises in pleasure and pain at once. Serious lessons or exercises to learn to be oneself without being related to others. Black Matter Phantasm performs a resolute or ab-solute step towards seclusion and retreat for further reenactments by devotional listeners. My interest for Black Matter Phantasm was triggered in the first place by his impressive 2015 multi-hours set released on Julien and Charlotte Skrobek's label Ensemble Vide Records called "6 études pour bruit blanc dégradé". This release made me look deeper into his discography that is full of amazing releases (click here for his bandcamp and facebook or use the links below). Here are some of my favorites: "descendre dans un puits sans fond. rechercher les ténèbres les plus totales, les plus épaisses possibles" (2015), "Leaf of void" (2015), "transitions. élaborations. silence" (2015),  "Désordre de la matière" (2016), "Vacuum Fluctuations Rumbling" (Process 2016), the fantastic Signora Ward release "Black God" (2016) and the most recent multi hours set "Réticences" (Lost Light 2016). But take a deeper look yourself --- it is definitely very rewarding !!. I leave the final words to one of my favorite taoist poets called Han Shan (= Cold Montain, late 7th century). One of the few masters of taoist seclusion: "When recluses slip this human world, most go to sleep in the mountains. Green vines are sparse but unyielding; emerald streams murmur without cease. High they soar in peaceful joy; vast their thoughts, so pure and unhurried. Avoiding all stain of worldly things,their hearts as tranquil as white lotus."


This is the HNW-Q No.11
brilliantly completed
by Joseph Szymkowiak, 
Black Matter Phantasm


The HNW-Q No. 11

[1] I discovered and invented HNW for myself, when I understood that this was what I had always needed. Fundamentally.

[2] The initial radicality of HNW would be preserved, if HNW would be made by those who really love HNW. I admit that my relationship to HNW is a relationship of love / hate, attraction / repulsion - but this is the definition of a pure and total love, devoted and obsessive. I think some people that make HNW do it for the wrong reasons, they don’t understand this kind of music DEEPLY, what it represents, and what it must represent, and they do that because they do not have the ability to do something else. Making HNW has to be a passionate choice.

[3] HNW is tranquility in the primordial chaos.

[4] HNW is not for fun.

[5] I consider the acronym H.N.W. as a powerful symbol.

[6] HNW is  a pure mirroring of the soul.

[7] The sounds of machines are the soundtrack of our lives. 


[8] HNW helps the innermost self to be revealed.

[9] Monolithic Walls are the best way to find the equilibrium.

[10] The Future of HNW would be a ritual used by secret circles of teenagers all around the world.

[11] The Death of HNW would become a bitter reality, if the current dominant and disturbing trend to infantilize HNW would have absorbed all the real soulful approaches to HNW completely.
​​
[12] HNW should be related to shamanic meditation to understand it better. 

[13] Singularity and Originality in HNW are not necessary, but admissible.

[14] HNW should be called Static Minimalism, because of its nature.

[15] HNW should not be called Static Minimalism, because .................

[16] The permanent repetition of the HNW-Mantra (No ideas, no change, no dynamics, no development etc.) leads .... I’m not a big fan of Vomir and his leadership, he is not my favorite and not my first approach to HNW. (At first I had listened to Angstrom and it’s really a better project).

[17] Volume in HNW is part of the intention.

[18] Distortion in HNW is the Temple.

[19] My Unconscious is immersed in HNW.

[20] Narratives, Analogies and Metaphors in HNW are part of the Cult.

[21] Time and Space in HNW are dissolved.

[22] HNW is absolute Nothingness. 

[23] My HNW amplifies the clairvoyance.

[24] Minimal Music and Cosmic Drones are different and similar to HNW.

[25] Conceptualism is the pointless and unnecessary intellectual and masturbatory weakening of HNW. 

[26] The main ingredients of brilliant HNW are loud and crunchy basses.

[27] The purpose and the concept of my HNW is the advent of a new cult, monolithic, which would replace all harmful religions. I imagine temples being built in forests, on mountains, the ocean floor, where HNW would be played continuously and where people could go to meditate. For the more adventurous ones, there would be a labyrinth bathed in a complex setting of light and darkness accompanied by HNW and here the contenders of enlightenment should find the exit.

[28] The distinction between ANW / HNW is important. The first one is for calm and comfortable meditation, while the second one is for violent introspection.

[29] The philosophy of HNW can change if it becomes part of the mainstream.

[30] My first words about HNW were my final words about HNW.


[31] My final words about HNW would be my first words about HNW.

[32] The phrase I would like to add to this questionary is Do you have seriously thought about lost souls ?


Antony Gormley - Flesh (1990)



Cordial thanks, Joseph !
For further informations
Bandcamp is HERE 
Facebook is HERE

Tuesday, June 14, 2016

Sounds of the Day #31/2016:Henrik N Björkk (1) / zweitesystem (1,2, 3, 4)


Henrik N Björkk - Music for N,N-Dimetyltryptamin (2012)


zweitesystem - systemversatz (2015)


zweitesystem - Live 20140629 (2014)



zweitesystem - system test (2012)



zweitesystem - 20101030(2010)

Essential conceptual minimalisms

Monday, June 13, 2016

Sounds of the Day #87/2016: Sarah Davachi (1) / Tanner Menard (1) / Cedar AV (1) / D.Å.R.F.D.H.S.(5,6,7)


Sarah Davachi - The Untuning of the Sky (2013)


Tanner Menard - Deepest Indigo (2016)


Cedar AV - Nin-o-Van (2015)


D.Å.R.F.D.H.S. - Killing Is No Murder (2015)


D.Å.R.F.D.H.S. - Mörkret, kylan, tystnaden (2015)


D.Å.R.F.D.H.S. - FÖRINTELSEN (2014)